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By Jules Verne

Twenty Thousand Leagues below the ocean (French: Vingt mille lieues sous les mers) is a vintage technological know-how fiction novel by way of French author Jules Verne, released in 1870. it really is in regards to the fictional Captain Nemo and his submarine, Nautilus, as obvious by means of one among his passengers, Professor Pierre Aronnax. the unique version, released by means of Hetzel, features a variety of illustrations by way of Alphonse de Neuville and Edouard Riou.

The identify refers back to the distance travelled less than the ocean, to not the intensity, as 20,000 leagues is 20 instances the radius of the earth. the best intensity pointed out within the booklet is four leagues. A literal translation of the French identify could result in the plural "Seas", hence implying the "Seven Seas" in which the characters of the radical shuttle. even though, the standard English translation of the identify makes use of "Sea", which means the sea ordinarily, as in "going to sea".

The be aware leagues within the English name is a literal translation of lieues, yet refers to French leagues. The French league have been a variable unit yet within the metric period was once standardized as four km. therefore the name distance is such as 80,000 km (twice round the Earth) or roundly 50,000 statute miles. In universal English utilization 1 league equals three miles. (Quote from

About the Author

Jules Gabriel Verne (February eight, 1828 - March 24, 1905) was once a French writer who pioneered the science-fiction style. he's most sensible identified for novels similar to trip to the guts of the Earth (1864), Twenty Thousand Leagues less than the ocean (1870), and world wide in 80 Days (1873). Verne wrote approximately house, air, and underwater commute ahead of air go back and forth and sensible submarines have been invented, and prior to functional technique of area shuttle were devised. he's the 3rd so much translated writer on the planet, accordi

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Sample text

Helen appears to be modeled in part on Woolf’s sister Vanessa, and Mitchell Leaska in his book on Woolf entitled Granite and Rainbow has suggested that Woolf changed this passage in the published version because she was uncomfortable with what it revealed about herself and her sister. Virginia’s flirtation with Vanessa’s husband, Clive, had created a love triangle similar to Helen’s relationship with Terence and Rachel. Helen’s relationship with Rachel is more complex than a simple love triangle, however, because she views Rachel as both child and friend, lover substitute and sister, and sees Terence and Rachel as both her possession and her responsibility.

This was talk without boundaries, talk without constraints, and Virginia reveled in it. Finally, after all of those years shut up in a room studying by herself, she had a chance to discuss, to debate, to participate in a liberated intellectual community. Her belief in talk’s ameliorative powers is reflected in The Voyage Out in Helen’s plan to educate Rachel: “Talk was the medicine she trusted to, talk about everything, talk that was free, unguarded” (p. 118). Perhaps the one Bloomsbury person Virginia most delighted in talking with was Lytton Strachey.

In case they should proceed to tease his wife, Mr. ’ in chorus. Although Mrs. Ambrose stood quite still, much longer than is natural, the little boys let her be. Some one is always looking into the river near Waterloo Bridge; a couple will stand there talking for half an hour on a fine afternoon; most people, walking for pleasure, contemplate for three minutes; when, having compared the occasion with other occasions, or made some sentence, they pass on. Sometimes the flats and churches and hotels of Westminster are like the outlines of Constantinople in a mist; sometimes the river is an opulent purple, sometimes mud-coloured, sometimes sparkling blue like the sea.

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